sandra_rimskaya (sandra_rimskaya) wrote,
sandra_rimskaya
sandra_rimskaya

Реальный 19 век. Правда быта - Королева всех доказательств. 6/2. Фотографии 1854 года.










Édouard Delessert
Macomer, nuraghe Ruiu
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854
LL/46986




Édouard Delessert
Sassari, Fontana del Rosello
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854
LL/46987



Édouard Delessert
Cagliari, Basilica di Bonaria
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854
LL/46988



Édouard Delessert
Cagliari, chiesa di Santa Caterina
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

LL/46989





Édouard Delessert
Sassari, Cattedrale di San Nicola
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

LL/46990



Édouard Delessert
Sassari, Porta Sant'Antonio
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

LL/46991




Édouard Delessert
Cagliari, Palazzo Regio
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

LL/46992



Édouard Delessert
Oristano, Torre di San Cristoforo
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

LL/46993



Édouard Delessert
Milis, chiesa di San Sebastiano
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]


Édouard Delessert
Milis, chiesa di San Sebastiano
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 67011


LL/46994





Édouard Delessert
Cagliari, vista dal Consolato francese
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 67005


LL/46995



Édouard Delessert
Cagliari, via Santa Teresa
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66999


LL/46996





Édouard Delessert
Milis, chiesa di San Paolo
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66993


LL/46997






Édouard Delessert
Cagliari, Grotta della vipera
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66987


LL/46998




Édouard Delessert
Sassari, Cattedrale di San Nicola
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66981


LL/46999




Édouard Delessert
Cagliari, Anfiteatro romano
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66969


LL/47000





Édouard Delessert
Cagliari, Torre dell'Elefante
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66963


LL/47001





Édouard Delessert
Cagliari, via Savoia
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66957


LL/47002


Édouard Delessert
Porto Torres, Basilica di San Gavino
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66951


LL/47003





Édouard Delessert
Sassari, vista dal Palazzo Vallombrosa
[Ile de Sardaigne: Cagliari et Sassari, 40 Vues Photographiques]
1854

Calotype
Regione Autonoma della Sardegna - Sardegna Digital Library
ID: 66945


LL/47004





Frédéric Martens
Tête Noire, Paysage des Alpes, Dauphiné
1854

Salted paper print
26.7 x 32.7 cm (sheet) 25.7 x 32.5 cm (image)

National Gallery of Canada
Purchased 2001, no. 40631


LL/39122



George Robert Fitt
Market Place, Norwich
1854

Albumen print (left) / Salt print (right)
Norfolk & Norwich Millennium Library

LL/55332



George Robert Fitt
West Front Castle Acre Prior
1854

Albumen print
Norfolk & Norwich Millennium Library

LL/55333


George Shadbolt
Green Meadows
1854

Salted paper print from calotype negative
17.80 x 22.80 cm (7 x 8 15/16 ins) (imaage)

Cleveland Museum of Art
John L. Severance Fund, Accession No.: 1994.184


LL/40878





James Robertson
The camp of the 3rd Grenadier Guards
1854

Private collection

LL/36104

http://www.florence-nightingale-avenging-angel.co.uk/scutari.htm (Accessed: 1 April 1854 - the website "Florence Nightingale Historical Bulletin" is run by author Hugh Small. The photograph is credited to the collection of Keith Smith.)

"...shows the camp of the 3rd Grenadier Guards with the barracks (later the Barrack Hospital and now the Selimiye Barracks) in the background. Lines to the Selimiye mosque and to the General Hospital (the building on the left) locate the site ... This would now be on the railway tracks and has presumably been excavated. Even if it were possible now to stand in the same spot, the new Marmara University building would probably obscure the view of the barracks."





James Robertson
[Acropolis, Athens]
1854

Salted paper print from wet collodion negative
25.9 x 29.1 cm (image) 31.4 x 35.3 cm (mount)

J. Paul Getty Museum
Getty Research Library, Special Collections and Visual Resources, Gary Edwards collection of photographs of Greece, 1842-1959, Id: 92.r.84_03-01


LL/41628

View of the Acropolis showing the Frankish Tower and the Beulé Gate.





James Robertson
Constantinople. Tombeau du sultan Suleiman
1854

Papier salé d'après négatif sur verre au collodion
29.5 x 25.5 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Ancienne collection Georges Sirot


LL/7779





James Robertson
Constantinople. Suleimanieh, côté est
1854

Papier salé d'après négatif sur verre au collodion
32 x 26.5 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Ancienne collection Georges Sirot


LL/7780





James Robertson
Constantinople. Base de l'obélisque [de théodose]
1854

Papier albuminé d'après négatif sur verre au collodion
24.5 x 29.5 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Album du comte de Paris


LL/7781



James Robertson
Environs de Constantinople. Sultan Selim. Scutari
1854

Papier albuminé d'après négatif sur verre au collodion
26 x 29.5 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Album du comte de Paris


LL/7782




James Robertson
Constantinople. Mosquée Ahmedieh
1854

Papier salé d'après négatif sur verre au collodion
26 x 30 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Ancienne collection Alfred Armand


LL/7784



Julien Vallou de Villeneuve
Deux femmes. Etude d'apres nature no. 1308
1854

Tirage sur papier salé d'après négatif sur papier
16.8 x 12 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Département des Estampes et de la photographie, Dépôt légal (Eo 9 folio tome 8)


LL/7726





Louis-Pierre-Théophile Dubois de Nehaut
The Zoological Garden, Brussels
1854

Salted paper print, from paper negative
Metropolitan Museum of Art
Gilman Collection, Gift of The Howard Gilman Foundation, 2005, Accession Number: 2005.100.372.28


LL/40324



Louis-Pierre-Théophile Dubois de Nehaut
Another Impossible Task
1854

Salted paper print from glass plate negative
16.3 x 21.2 cm (6 7/16 x 8 3/8 ins)

Metropolitan Museum of Art
Gilman Collection, Gift of The Howard Gilman Foundation, 2005, Accession Number: 2005.100.372.32


LL/40496



Mendel Diness
Portrait of James Graham, Thomas Seddon and William Holman Hunt
1854

Glass plate, scanned from
Israel Museum, Jerusalem

LL/24986

This is the only known photographic evidence of the presence of the painters in Jerusalem in 1854.



Philip Henry Delamotte & Henry Negretti
Progress of the Crystal Palace at Sydenham
1854

Albumen silver pint
Metropolitan Museum of Art
David Hunter McAlpin Fund, 1952 (52.639.18,.27,.36,.37,.41,.54,.56,.74,.80,.81)



Philip Henry Delamotte & Henry Negretti
Progress of the Crystal Palace at Sydenham
1854

Albumen silver pint
Metropolitan Museum of Art
David Hunter McAlpin Fund, 1952 (52.639.18,.27,.36,.37,.41,.54,.56,.74,.80,.81)


LL/33471




Philip Henry Delamotte
Evening
1854

Albumen print
Metropolitan Museum of Art
David Hunter McAlpin Fund, 1952


LL/45904

This photograph was included in the exhibition The Pre-Raphelite Lens: British Photography and Painting, 1848-1875 at the National Gallery of Art, Washington, DC (October 31, 2010 - January 30, 2011)


LL/33470



Pierre Tremaux
Young Nubian Woman, Sudan
1854

Salted paper print, from a calotype negative
10 x 7.5 cm

Archive Farms

LL/55219

Publication: Pierre Tremaux, Voyage au Soudan Oriental et dans l'Afrique Septentrionale, pendant les années 1847 à 1854, comprenant une exploration dans l'Algerie, la Régence de Tunis et de Tripoli, l'Asie mineur, l'Égypte, la Nubie, le Déserts, l'Ile de Méroé, le Sennar, le Fa-Zoglo, dans des contrées inconnues de la Nigritie; avec Atlas de Vues pittoresques, scènes de moeurs, types de végetation remarquables, dessins d'objets éthologiques et scientifiques, panoramas, cartes géographiques, un parallèle des édifices antiques et modernes du continent africain, et une Exploration archéologique en Asie Mineure, Paris (Borrani et Droz), London (J. Madden), St. Petersburg (Hauer A. Cluzel), Berlin (A. Asher et Cie) 1847-1854: first series Voyage au Soudan Oriental: pl. 36.

Regards sur la Photographie en France au XIXe siecle, Berger-Levrault, Paris, 1980, #150

After Daguerre: Masterworks of French Photography (1848-1900) from the Bibliotheque Nationale, Metropolitan Museum, New York, 1980,



Platt D. Babbitt
Niagara Falls
1854

Daguerreotype, hand-colored
National Museum of American History
National Museum of American History, Behring Center, Division of Information Technology and Communications, Photographic History Collection, Image No. AFS 141

LL/36184



Roger Fenton
Untitled [A group of statuary in the British Museum]
1854

Stereocard, albumen prints
Archive Farms

LL/38896



Roger Fenton
Rievaulx Abbey, the High Altar
1854

Albumen silver print, from glass negative
29.5 x 36.5 cm (11 5/8 x 14 3/8 ins) (image) 48 x 61.5 cm (18 7/8 x 24 3/16 ins (mount)

Metropolitan Museum of Art
Gilman Collection, Purchase, William Talbott Hillman Foundation Gift, 2005, Accession Number: 2005.100.275

LL/40408



Roger Fenton
Wharfe and Pool, Below the Strid
1854

Salted paper print
34.5 x 28.2 cm (13 9/16 x 11 1/8 ins) (image) 56.8 x 44.9 cm (22 3/8 x 17 11/16 ins) (mount)

Metropolitan Museum of Art
Gilman Collection, Purchase, W. Bruce and Delaney H. Lundberg Gift, 2005, Accession Number: 2005.100.8

LL/40551



Roger Fenton
Rievaulx Abbey
1854

Albumen silver print, from glass negative
35.7 x 29.8 cm (14 1/16 x 11 3/4 ins) (image) 40.3 x 34.5 cm (15 7/8 x 13 9/16 ins) (mount)

Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.7

LL/40571




Roger Fenton
York Minster from Lendal
1854

Albumen print
National Media Museum
The Royal Photographic Society, Ref number: 2003-5001/2/20130


LL/41688




Roger Fenton
Bolton Abbey, West Window
1854

Albumen print
National Media Museum
The Royal Photographic Society Collection, Purchased with the assistance of The Art Fund

LL/45902

This photograph was included in the exhibition The Pre-Raphelite Lens: British Photography and Painting, 1848-1875 at the National Gallery of Art, Washington, DC (October 31, 2010 - January 30, 2011




Roger Fenton
The Cloisters, Tintern Abbey
1854

Salted paper print, from collodion negative
7 3/16 × 8 11/16 in (18.3 × 22.1 cm)

National Gallery of Art

LL/54884




Roger Fenton
Rievaulx Abbey, the North Transept
1854

Albumen print, from wet collodion negative
11 × 14 1/2 in (27.9 × 36.8 cm)

National Gallery of Art

LL/54886




Thomas Sutton
Tower Struck by Lightning, Saint-Ouen Bay
1854

Salted paper print (Blanquart-Evrard process)
28.8 x 19.5 cm (11 3/8 x 7 5/8 ins)

Metropolitan Museum of Art
Loaned from the National Gallery of Art, Washington, The Horace W. Goldsmith Foundation through Robert and Joyce Menschel

LL/25984

This photograph was included in the exhibition "Impressed by Light: British Photographs from Paper Negatives" at the Metropolitan Museum of Art, New York (September 25, 2007-December 31, 2007)



Thomas Sutton
Rochers, baie de Jiquet
1854

Blanquart-Evrard salt print from waxed paper negative
7-3/4 x 10-3/8

Charles Isaacs Photographs, Inc

LL/4209


T.R. Williams [Attributed to]
Queen Victoria Presiding at the Reopening of the Reconstructed Crystal Palace at Sydenham
1854

Albumen print, from glass negative (copy print of a daguerreotype)
Metropolitan Museum of Art
David Hunter McAlpin Fund, 1952 (52.639.18,.27,.36,.37,.41,.54,.56,.74,.80,.81), Museum Accession (X.673)

LL/48872

The original daguerreotype by Philip Henry Delamotte taken on 10 June 1854 is in the collection of the Victoria and Albert Museum, London (Museum number: 1681-1939).


Unidentified photographer
Yale University Rowing Crew
1854

Daguerreotype
1/2 plate

Be-Hold
Courtesy of Larry Gottheim - Be-Hold (49 / 22)


LL/18517

This ¢ plate daguerreotype, sealed with original seals to a double elliptical mat, is a great group portrait. The 5 men in back wear their straw hats; the 5 seated in front have their hats on their laps. They all have stars on their decorative vests, with anchors on the collar. Some have different colored shirts and slightly different ties. The seated person at right holds an oar or other object. They are individualized with their interesting faces clear, facing in slightly different directions.

The paper backing inside the case has a period pencil inscription identifying them as "Our Lady Crowd of Old." It names the men, and says it was "Taken in N. Haven July 25, 1854."

There are a few minor rust spots on the plate, but it has the original character expected in an 1854 plate that has not been touched since its making. The most fascinating daguerreotypes of historical importance and lively fascination are ever more scarce.




Unidentified photographer
Wetmore sisters
1854

Daguerreotype, 1/2 plate
Private collection of Nelson Anderson

LL/34307

A historical footnote relates the following about this image: This half plate daguerreotype is of sisters Harriet Cooper Wetmore, Born 10 July 1828 and Cornelia Brower Wetmore, Born 11 September 1832 both of New London, Connecticut. This image was taken in 1854 just one year prior to Cornelia's (right) marriage to Richard Haven Chapell of the same city. He was a ships merchant and was among the first to sail into the newly purchased Alaskan territory to harvest fur seals in the 1860's. The clarity [of the original] is so good you can clearly see that Harriet had a rather severe case of acne!

Original image is restored and enhanced at the request of the owner, Nelson Anderson (Flickr/Inferno55).





William Constable
Self-portrait with a Recent Invention
1854

Daguerreotype
3 5/8 x 2 5/8 cm

J. Paul Getty Museum
© J. Paul Getty Trust [84.XT.266.13]


LL/38299

Description from The Getty (Accessed: 2 July 2010)

William Constable was both an artist and inventor. Here he showed off his most recent scientific invention: an improved regulating device to increase the efficiency of steam power. Constable placed himself with the invention behind him on his right. Rather than position the invention in center frame, Constable shifted it to the left so as to include himself proudly clasping the device. The composition calls as much attention to his own role as inventor as to the invention itself.

William Constable (1783-1861)
http://www.spartacus.schoolnet.co.uk/DSconstable.htm (Accessed: 2 July 2010)

The Brighton Herald wrote of Constable's "mechanical genius." In the Machinery Section of the Great Exhibition of 1851, Constable showed his model of a 'Compensating Fly Wheel', which he had designed to improve the working of steam engines. The inventor claimed that his patented 'Compensating Fly Wheel' served "not merely to improve, but perfect the action of the Reciprocating Steam Engine"

See also:

Philippe Garner "William Constable, Brighton's First Photographer", History of Photography, Vol 15, No 3 . Autumn 1991 pp 236-239





William Crookes
The "Meridian Circle", Oxford Observatory
1854

Salted paper print
7.9 x 6 cm

Harry Ransom Humanities Research Center at the University of Texas at Austin
HRC


LL/6137




Unidentified photographer/creator
Hancock House, Boston: An original Crystallotype or Sun Picture
1854

Title page
Google Books

LL/36386

Frontispiece for Various writers Homes of American Statesmen: With Anecdotical, Personal, and Descriptive Sketches (New York: G.P. Putnam & Co., London: Sampson Low, Son & Co, 1854), Frontispiece.

From page iv of the Publishers' Notice:

Most of the illustrations in this volume have been engraved from original drawings, or daguerreotypes taken for the purpose. The frontispiece is somewhat of a curiosity, each copy being an original sun-picture on paper. The great luminary has here entered into direct competition with other artists in the engraving business our readers can judge how well he has succeeded.



Meade Brothers Studio
Proposed Elevated Railroad Terrace for Broadway, New York
1854

Magazine illustration
Archive Farms

LL/55289

Gleason's Pictorial Drawing Room Companion, 1854, p. 200

Shows the Meade Brothers Daguerreotype Depot at 233 Broadway behind railroad platform.


http://www.luminous-lint.com/app/tags/6/1854/



Александра Римская 12.01.2015 г., 663 , Anno Domini. Xikrik to river Novogor

Список статей Сандры Римской

Сайт Армия Карусов
Группа ВК "История






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