sandra_rimskaya (sandra_rimskaya) wrote,
sandra_rimskaya
sandra_rimskaya

Реальный 19 век. Правда быта - Королева всех доказательств. 18. Фотографии 1866 года.






Mathew Brady's Studio
[Andersonville Still Life]
1866

Albumen silver print, from glass negative
22.1 x 18.9 cm (8 11/16 x 7 7/16 ins)

Metropolitan Museum of Art
Gilman Collection, Purchase, Joseph M. Cohen Gift, 2005, Accession Number: 2005.100.98


LL/40537





Adolphe Terris
Etude d’elements decoratifs
1866

Cyanotype
The Hyman Collection

LL/54706





Andrew Charles Brisbane Neill
Detail from a temple at Halebidu, Karnataka
1866

Albumen print
270 x 330 mm

Bonhams - London
Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 305 - 26 Oct 2007)


LL/24114






Andrew Charles Brisbane Neill
Detail from a temple at Beejanuggur, Karnataka
1866

Albumen print
260 x 340 mm

Bonhams - London
Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 306 - 26 Oct 2007)


LL/24115





Andrew Charles Brisbane Neill
Detail from the Channekeshava Temple at Belur, Karnataka
1866

Albumen print
270 x 330 mm

Bonhams - London
Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 307 - 26 Oct 2007)


LL/24116





Carleton E. Watkins
Sentinal Rock, 3,100 feet and Sentinal Falls,' 3,270 feet, California
1865-1866 (taken) 1885 (print)

Albumen print, arch-topped, mammoth plate
20 x 16 in (52 x 41 cm)

Swann Galleries - New York
Courtesy of Swann Galleries (Auction Oct 21, 2008, Lot 16)


LL/31208

On the original mount, with Isiah Taber's credit, the title and inventory number, "801," in the negative.






Émile Gsell
Vue de Sa´gon (Feuille No. 1) [View of Saigon, Plate No. 1]
1866

Albumen silver print, from glass negative
24.7 x 34.2 cm (9 3/4 x 13 7/16 ins)

Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (26)


LL/40428





Émile Gsell
Angle d'Une Cour Intérieure de la Grande Pagode [View of the Court Interior of the Grand Pagoda, Angkor]
1866

Albumen silver print, from glass negative
22.7 x 17.7cm (8 15/16 x 6 15/16in.)

Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (34)


LL/40454





Émile Gsell
Costumes de Théâtre, Saigon, Cochinchine [Theater Costumes, Saigon, Cochinchina]
1866

Albumen silver print, from glass negative
24.4 x 31.1 cm (9 5/8 x 12 1/4 ins)

Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (1)


LL/40455





Émile Gsell
Femme Annamite, Saigon, Cochinchine [Annamite Woman, Saigon, Cochinchina]
1866

Albumen silver print, from glass negative
20 x 16.7 cm (7 7/8 x 6 9/16 ins)

Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (2)


LL/40456




Felice Beato
View of Nagasaki Harbour
1866

Albumen print
25.1 x 30.9 cm

Bachmann Eckenstein Art & Antiques

LL/6443




G. Gable
[Summer Scene]
1866

Albumen silver print, from glass negative
5.7 x 9.2 cm (2 1/4 x 3 5/8 ins)

Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.277


LL/40462




George K. Warren
Harvard Botanical Garden
[1866 Hardvard classbook]
1866

Albumen print
Private collection of Dan Weinstock

LL/53929

This is a portion of the Harvard Botanic Garden showing the greenhouses. The laboratory, the herbarium and Asa Gray’s residence are obscured by the trees and out of view to the left of the greenhouses.




George N. Barnard
The John Ross House, Ringold, GA
1866

Albumen print
10 x 14 in

Lee Gallery
Image courtesy of the Lee Gallery (www.leegallery.com)


LL/3144





George N. Barnard
The "Hell Hole," New Hope Church, Georgia
1866

Albumen print
25.7 x 35.9 cm (10 1/8 x 14 1/8 in)

American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment


LL/7548




Henri Sauvaire
Vue du minaret sud-ouest du Haram (Tombeau des Patriarches), Hébron
1866

Albumen print, from paper negative
25.2 x 19.4 cm

Gros & Delettrez
Books, Manuscripts - Orientalist Photographs, 19 June 2012, Lot: 207


LL/48519





John Thomson
Interior of the western colonnade of a Temple at Nakhon Thom [Angkor Wat], Cambodia
1866

Glass plate
Wellcome Images, Wellcome Library
Wellcome Library, London (V0036927)


LL/36747

Bears Thomson's negative number: "466".

This is one of a collection of original glass negatives made by John Thomson. The negatives, made between 1868 and 1872, were purchased from Thomson by Sir Henry Wellcome in 1921.

John Thomson, The straits of Malacca, Indo-China and China, London, 1875, p 142, with an extra figure. Judith Balmer, John Thomson, 1993, p xxxi, fig. 9, is also based on this photograph, but the figure is missing, replaced by a tiger





John Thomson
The Bayon Temple, Angkor Thom
1866

Albumen print
British Library

LL/6482







Louis-Emile Durandelle
Le Nouvel Opera de Paris-Sculpteur Autravail
1866

Albumen print
14 3/4 x 11

Lee Gallery
(V1018)


LL/13380

Title and photographer's name printed on center of mount under print.







Louis-Emile Durandelle
Ten workers at the new Paris Opera, Paris
1866

Albumen print from glass negative
39.4 x 27 cm

CEROS - Jean-Mathieu Martini / Serge Plantureux
Binoche et Giquello, épreuves choisies, 18 november 2010, lot no: 14


LL/41080

Studio stamp embossed on mount.

La défaite de Sedan, la fin de l'Empire, le siÞge de Paris et la commune interrompirent les travaux de construction ainsi que la publication de l'album qui ne parut que 10 ans plus tard. Les épreuves de la Première époque sont trÞs rares.





Michael Miley
Gen. Robert E. Lee on his horse, Traveller.
1866 (taken) 1880 (print)

Albumen print
4 3/4 x 7 in (12.1 x 17.8 cm, image) 5 x 8 1/2 in (12.7 x 21.6 cm, mount)

Swann Galleries - New York
Courtesy of Swann Galleries (Auction Oct 21, 2008, Lot 11)


LL/31205

With Miley's credit on mount recto and annotations, in ink, in a period hand, on mount verso.

The Face of Robert E. Lee, 69.

This image was one of the most popular depictions of Lee all through the South. In the years after the Civil War, Lee found great comfort in Traveller, who shared his master''s fame. So beloved was Traveller that much of his mane and tail were removed by over-eager souvenir hunters.





Pierre Petit
View of construction of the Galerie des Machines, Champ de Mars Pavilion, l'Exhibition Universelle, Paris
1866

Albumen print from glass plate negative
28 x 43 cm (image) 31 x 48 cm (mount)

Private Collection of Robert G. Hill, Toronto, Ont.
www.hillcollection.com - Acc: 821


LL/30632

Titled in pencil verso "construction de le Exposition de 1867/Champ de Mars", unsigned, but similar to views by Petit in Album Fol. 108, held at the Bibliotheque historique de la Ville de Paris.






Samuel Bourne
Mussucks for Crossing the Beas Below Bajoura
1866

Albumen print
23.20 x 28.70 cm

National Galleries of Scotland
Courtesy of the National Galleries of Scotland, Gift of Mrs. Riddell in memory of Peter Fletcher Riddell 1985 (PGP R 879)


LL/7662




Thomas Biggs
Beejanuggur: Lateral Gateway of a Temple
1866

Albumen print
270 x 380 mm

Bonhams - London
Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 232 - 26 Oct 2007)


LL/24099

Mounted, printed caption pasted below.





Thomas Biggs
Detail of a temple in Karnataka
1866

Albumen print
270 x 360 mm

Bonhams - London
Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 233 - 26 Oct 2007)


LL/24100





Thomas Biggs
Mosque of Musaood Khan at Adoni
1866

Albumen print
280 x 360 mm

Bonhams - London
courtesy Bonhams, London (April 9, 2008, #135)


LL/28264

Albumen print, mounted, printed caption pasted below

Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)





Thomas Biggs
Mosque in the Fort
1866

Albumen print
270 x 360 mm

Bonhams - London
courtesy Bonhams, London (April 9, 2008, #138)


LL/28265

Albumen print, mounted, printed caption pasted below

Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardi

p Gujral" at Bonhams in London (April 9, 2008)





Thomas Biggs
117, The Swamee Narayen's Temple
1866

Book illustration
British Library

LL/52512

Theodore Cracraft Hope, 1866, Architecture at Ahmedabad, the Capital of Goozerat, photographed by Colonel Biggs, ... With an historical and descriptive sketch, by T. C. H., ... and architectural note by J. Fergusson, etc, (London)





Unidentified photographer
Jerh. Donovan Rossa
[Thomas A. Larcom photographs collection, 1857-1866 [Mountjoy Prison], Volume 2, 1866, Plate 80]
1866

Album page, detail
New York Public Library
Courtesy of The New York Public Library www.nypl.org, Image ID: 1111428


LL/40162

The two albums originally belonged to Sir Thomas Aiskew Larcom (1801-1879), the permanent Under Secretary for Ireland from 1853 to 1869, which includes the period covered by the albums. Harriet Fyffe Richardson (b.1872), author of Pioneer Quakers (1940), provided the albums to Stanford University at an unknown date; New York Public Library acquired them in 1953.

The 1866 volume is slightly larger than 10 x 8 inches, and contains rectangular albumen prints, also about 4 x 3 inches, mounted four to a page with individual captions. Laid inside the second volume is a letter from the photographer (whose signature is illegible) to Larcom: "You asked me some months ago to get you the photographs of the convicted and untried political prisoners who have been confined in Mountjoy. // I now send you a most unique 'Book of Beauty' . . . The camera is bad, but I am about to get a better, a really good one."

Identified as felons and Fenian political prisoners, the subjects of the photographs in these two albums include some of the leaders of the Fenian Brotherhood and its Irish wing, the Irish Republican Brotherhood. One of these, the early activist Jeremiah O'Donovan Rossa (1831-1915), recounted sitting for his portrait:

After being shaven I was led to have my picture taken. The photographer had a large black-painted pasteboard prepared, with my name across it in white, and, pinning it across my breast, he sat me in position. I remained sitting and looking according to instructions until he had done, and he never had the manners to tell-what artists never fail to tell me-that I made an exceedingly good picture. [O'Donovan Rossa's prison life: six years in six English prisons (1874) p.73]





Unidentified photographer
Inondation de la Loire en 1866
1866

Albumen print
24 x 19 cm

Interencheres - Lyon
14 January 2014, Tresors de la Photographie, Lot: 467


LL/57353





William H. Pigou
The Great Temple at Halebidu, Karnataka
1866

Albumen print
270 x 380 mm

Bonhams - London
Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 310 - 26 Oct 2007)


LL/24117




William H. Pigou
General view of a temple at Halebidu, Karnataka
1866

Albumen print
270 x 380 mm

Bonhams - London
Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 311 - 26 Oct 2007)


LL/24118







William Notman
François Gros-Louis, Fur trapper
1866

Albumen print
12.7 x 8.7 cm

National Galleries of Scotland
Acc. No. PGP R 220


LL/56758

(Curatorial caption, accessed 23 November 2014)
The Scottish-born photographer, William Notman, built a substantial archive of images recording activities typical to nineteenth-century Canada. This has become an invaluable resource for researchers from all over the world. This image shows François Gros-Louis, an eighty-three-year-old native Canadian guide and hunter who appeared in Notman's scenes of caribou and moose hunting and was also painted trapping beaver.



Carol Szathmari
Prince Carol I
1866

Salt print, watercolour
21,5 x 15,2 cm

Library of the Romanian Academy

LL/34278





David Octavius Hill
The First General Assembly of the Free Church of Scotland - Signing the Act of Separation and the Deed of Demission at Tanfield, Edinburgh, May 1843.
1866

Carbon print
26.6 x 60.2 cm (10 1/2 x 23 11/16 ins)

Metropolitan Museum of Art
Gift of Robert O. Dougan, 1976, Accession Number: 1976.516


LL/40470

Copy of painting by David Octavius Hill. The photograph is by Thomas Annan.




A. Moitessier
Photo-micrographs
1866

Book plate
Google Books

LL/36553

A. Moitessier La Photographie, Appliquée aux Recherches Micrographiques (Paris, J. B. Bailliereet Fils, 1866)




Marcus Aurelius Root
Root Gallery, Daguerreotype studio
1866

Albumen print
Historical Society of Pennsylvania
Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]


LL/44540

Photographer: C. Cohill.

Address: 5th and Chestnut Streets, Philadelphia, PA USA




Marcus Aurelius Root
Root Gallery, Daguerreotype studio (detail)
1866

Albumen print
Historical Society of Pennsylvania
Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]


LL/44541

Photographer: C. Cohill.

Address: 5th and Chestnut Streets, Philadelphia, PA USA





Marcus Aurelius Root
Root Gallery, Daguerreotype studio (detail)
1866

Albumen print
Historical Society of Pennsylvania
Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]


LL/44542

Photographer: C. Cohill.

Address: 5th and Chestnut Streets, Philadelphia, PA USA

Note the display cases for photographs.




Marcus Aurelius Root
Root Gallery, Daguerreotype studio (detail)
1866

Albumen print
Historical Society of Pennsylvania
Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]


LL/44543

Photographer: C. Cohill.

Address: 5th and Chestnut Streets, Philadelphia, PA USA

Note the display cases for photographs.




Marcus Aurelius Root
Root Gallery, Daguerreotype studio (detail)
1866

Albumen print
Historical Society of Pennsylvania
Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]


LL/44544

Photographer: C. Cohill.

Address: 5th and Chestnut Streets, Philadelphia, PA USA

Note the photographs displayed in the windows of the gallery.




David Octavius Hill
The First General Assembly of the Free Church of Scotland - Signing the Act of Separation and the Deed of Demission at Tanfield, Edinburgh, May 1843. [Detail showing David Octavius Hill with camera]
1866

Carbon print, detail
26.6 x 60.2 cm (10 1/2 x 23 11/16 ins)

Metropolitan Museum of Art
Gift of Robert O. Dougan, 1976, Accession Number: 1976.516


LL/40471

Copy of painting by David Octavius Hill. The photograph is by Thomas Annan.

http://www.luminous-lint.com/app/tags/6/1866/


Александра Римская 16.01.2015 г., 663 , Anno Domini. Xikrik to river Novogor

Список статей Сандры Римской

Сайт Армия Карусов
Группа ВК "История






Tags: 1866
Subscribe
  • Post a new comment

    Error

    Anonymous comments are disabled in this journal

    default userpic

    Your IP address will be recorded 

  • 0 comments