Реальный 19 век. Правда быта - Королева всех доказательств. 36. Фотографии 1884 года.
Aldolarius Humphrey Boyd [Attributed to]
John Williams, per Ld. [i.e. Lady] Montagu F.S., P.O. Latrobe, 13.3.84, larceny, 12 months, age 59
[Convict portraits, Port Arthur]
1884
Carte de visite
National Library of Australia
nla.pic-an24612797
LL/39407
No photographer name or studio stamp appears on these photographs. Formerly attributed to Thomas J. Nevin, the portraits are now considered more likely to have been taken by A.H. Boyd. See: Julia Clark "A question of attribution: Port Arthur's convict portraits", Journal of Australian Colonial History, Vol 12, 2010, p77-97.
Aldolarius Humphrey Boyd [Attributed to]
George Ormiston, [per] F.C. Monqund, 3 years, 5.2.84, horse stealing and uttering
[Convict portraits, Port Arthur]
1884
Carte de visite
National Library of Australia
nla.pic-vn4270377
LL/39408
No photographer name or studio stamp appears on these photographs. Formerly attributed to Thomas J. Nevin, the portraits are now considered more likely to have been taken by A.H. Boyd. See: Julia Clark "A question of attribution: Port Arthur's convict portraits", Journal of Australian Colonial History, Vol 12, 2010, p77-97.
Alexander Henderson
Crossing St. Lawrence in Spring
1884
Albumen silver print
15.2 x 20.5 cm
National Gallery of Canada
Courtesy of the National Gallery of Canada (no. 22804.3), Purchased 1976
LL/6701
Angerer [Attributed to]
Proclamation of the British Protectorate at Port Moresby, Papua New Guinea
1884
Albumen print
Cambridge University Library, Royal Commonwealth Society
© Cambridge University Library, RCS Y3084A/37
LL/40100
Édouard Baldus
Cour des Bureaux, l'Hotel d'Ville, Paris
1884
Heliogravure
9 3/4 x 12 1/2 ins
Archive Farms
LL/55214
Publication: E. Baldus, Reconstruction de 'Hotel de Ville de Paris, Des Fossez et Cie, Editeurs, Paris, 1884, pl. 40
Notes: This plate is part of a series of 100 published by Baldus in 1884 showing the reconstruction of the Hotel de Ville in Paris following its destruction during the Paris Commune of 1871. It was Baldus last project; he declared bankruptcy in 1897 and died two years later.
Édouard Baldus
Cour Louis XIV, l'Hotel d'Ville, Paris
1884
Heliogravure
10 x 13 3/4 ins
Archive Farms
LL/55215
Publication: E. Baldus, Reconstruction de 'Hotel de Ville de Paris, Des Fossez et Cie, Editeurs, Paris, 1884, pl. 58
Notes: This plate is part of a series of 100 published by Baldus in 1884 showing the reconstruction of the Hotel de Ville in Paris following its destruction during the Paris Commune of 1871. It was Baldus last project; he declared bankruptcy in 1897 and died two years later.
Édouard Baldus
Escalier Circulaire, l'Hotel d'Ville, Paris
1884
Heliogravure
10 x 13 3/4 ins
Archive Farms
LL/55216
Publication: E. Baldus, Reconstruction de 'Hotel de Ville de Paris, Des Fossez et Cie, Editeurs, Paris, 1884, pl. 50
Notes: This plate is part of a series of 100 published by Baldus in 1884 showing the reconstruction of the Hotel de Ville in Paris following its destruction during the Paris Commune of 1871. It was Baldus last project; he declared bankruptcy in 1897 and died two years later.
François Escard
Prince Roland Bonaparte's 1884 expedition. Roland seated, centre.
1884
Albumen print
Creative Commons - Wikipedia
LL/47138
The original source and inventory number for this photograph is requested.
F. Jay Haynes
Lone Star Geyser Cone, Yellowstone National Park
1884
Albumen print
43.2 x 55.2 cm (17 x 21 3/4 in)
American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment
LL/7573
Henry Peach Robinson
He Never Told His Love
1884
Woodburytype
National Media Museum
The Royal Photographic Society, Ref Number: 2003-5001/2/21450
LL/41755
Henry Peach Robinson
The Stream In Summer
1884 (taken) 1902 (ca, print)
Platinotype print, sepia-toned
27 x 37.5 cm
Leonard Joel
Sale LJ5801, Lot 253
LL/52436
J.C. Schaarwächter
Robert Koch
1884
Albumen print
14.5 x 10 cm
Bassenge Photography Auctions
Photography 19th-21st Century (1 June 2011) Lot: 4068
LL/43712
J.P. Mayall
V.C. Prinsep, A.R.A.
1884
Photoengraving
21.8 x 16.7 cm
Harry Ransom Humanities Research Center at the University of Texas at Austin
HRC
LL/6110
J. Landy
Cincinnati, Ohio. the Flood of 1884. Photographs of Cincinnati & Vicinity taken during the Highest Water. 22. Front Street looking West from John Street.
[The Flood of 1884]
1884
Albumen print
5 x 10 in
Jeffrey Kraus Antique Photographics
Courtesy of Jeffrey Kraus (Disbd4)
LL/10932
J. Landy, 208 West Fourth St., Cincinnati, O.
Moisés Valdéz [Attributed to]
Quechisla
1884
Albumen print
8 1/2 x 6 1/2 in
Private collection of Daniel Buck
LL/17827
Administrative headquarters of Aramayo, Francke & Co.
Notman & Sons
View of the harbour, looking east, Montreal, QC
1884
Notman Photographic Archives, McCord Museum of Canadian History
LL/33611
Works from the "After Notman" series use the iconic images taken by the Montreal studio of Notman & Sons as a starting point and then Andrzej Maciejewski rephotographed the same locations as exactly possible between 1999 and 2001. An exhibition of the original Notman photographs and those of Andrzej Maciejewski were exhibited at the McCord Museum in Montreal (July 26, 2003 to July 25, 2004).
Notman & Sons
Notre-Dame-de-Bon-Secours Chapel, St. Paul Street, Montreal, QC
1884
Notman Photographic Archives, McCord Museum of Canadian History
LL/33627
Works from the "After Notman" series use the iconic images taken by the Montreal studio of Notman & Sons as a starting point and then Andrzej Maciejewski rephotographed the same locations as exactly possible between 1999 and 2001. An exhibition of the original Notman photographs and those of Andrzej Maciejewski were exhibited at the McCord Museum in Montreal (July 26, 2003 to July 25, 2004).
Notman & Sons
Living room, Mrs. George Stephen's House, Montreal, QC
1884
Notman Photographic Archives, McCord Museum of Canadian History
LL/33643
Works from the "After Notman" series use the iconic images taken by the Montreal studio of Notman & Sons as a starting point and then Andrzej Maciejewski rephotographed the same locations as exactly possible between 1999 and 2001. An exhibition of the original Notman photographs and those of Andrzej Maciejewski were exhibited at the McCord Museum in Montreal (July 26, 2003 to July 25, 2004).
Pieter Oosterhuis
Amsterdam
1884
Private collection of Jan Weijers (Servatius)
Courtesy of Jan Weijers
LL/26082
Eduard Isaac Asser
View from the roof of the photographer's house, Amsterdam
1851-1853
Album (mounted on paper), Salted paper print from wet collodion on glass negative
Rijksmuseum
Copyright © Rijksmuseum Amsterdam (RP-F-AB12278-B)
LL/25790
Eduard Isaac Asser
View from the roof of the photographer's house looking across the Singel Canal, Amsterdam
1851-1853
Salted paper print, from wet collodion on glass negative
Rijksmuseum
Objectnummer: RP-F-AB12278-A
LL/48886
Eduard Isaac Asser
View from the photographer's house looking towards the lodging Logement Rondeel with horse-drawn tram, Amsterdam.
1853-1855
Salted paper print, from wet collodion on glass negative
Rijksmuseum
Objectnummer: RP-F-AB12279-BC
LL/48887
Eduard Isaac Asser
View of the Westerhal on Westermarkt, Amsterdam
1854-1856
Salted paper print, from wet collodion on glass negative
Rijksmuseum
Objectnummer: RP-F-AB12280-T
LL/48893
Eduard Isaac Asser
View from the photographer's house showing the junction with Reguliersbreestraat and a through-view of the river Amstel, Amsterdam
1852-1857
Album (mounted on paper), Salted paper print from wet collodion on glass negative
Rijksmuseum
Copyright © Rijksmuseum Amsterdam (RP-F-AB12279-I)
LL/25791
Robert Demachy
Canal Scene, Amsterdam
1900 (ca)
Bromoil transfer ?
4 1/8 x 3 in
Lee Gallery
LL/21474
Pow Kee
Fishing, Hankow
1884
Albumen print
21.9 x 28.2 cm
National Galleries of Scotland
Acc. No. PGP R 880
LL/56761
Reichard & Lindner (Berlin)
Kaiser Wilhelm I
1884
Cabinet card
Private collection of T. Max Hochstetler
LL/22016
Reichard & Lindner (Berlin)
Crown Prince Wilhelm
1884
Cabinet card
Private collection of T. Max Hochstetler
LL/22022
Thomas Byrnes
The Inspector's Model
[Professional Criminals of America (1886)]
1884
Photomechanical reproduction
LL/33250
Offenders did not always want to cooperate with police. In The Inspectors Model (1884), four men struggle to hold a prisoner so that his picture can be taken as Byrnes, the inspector, looks on. Byrnes described the importance of photographing criminals: "Deception is their business [and] there are many who carry no suggestion of their calling about them . . . men who lead double lives." Yet Byrnes also comments: "Is physiognomy any guide? A very poor one. Judge for yourself. Look through the Rogue's Gallery and see how many rascals you find there who resemble the best people in the country."
Thomas Byrnes, Professional Criminals of America (New York: Cassell and Company, 1886), 54, 55
Thomas Eakins
Jesse Godley
1884
Chronophotograph taken with a single-disk, Marey-wheel camera
Philadelphia Museum of Art
LL/33169
Thomas Eakins
Marey Wheel Photographs of George Reynolds
1884
Albumen print
2 7/8 x 3 13/16 in irreg. (7.2 x 9.7 cm)
Smithsonian Hirshhorn Museum and Sculpture Garden
Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.47
LL/37581
Thomas Eakins
Marey Wheel Photographs of Thomas Eakins
1884
Platinum print
1 5/8 x 2 1/2 in (4.1 x 6.3 cm)
Smithsonian Hirshhorn Museum and Sculpture Garden
Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.38
LL/37588
Thomas Eakins
Marey Wheel Photographs of Unidentified Model
1884
Albumen print
2 7/8 x 3 5/8 in (7.2 x 9.2 cm)
Smithsonian Hirshhorn Museum and Sculpture Garden
Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.42
LL/37589
Thomas Eakins
Marey Wheel Photographs of Unidentified Model, with Eadweard Muybridge Notations
1884
Gelatin silver print
9 1/8 x 11 1/4 in (23.2 x 28.5 cm)
Smithsonian Hirshhorn Museum and Sculpture Garden
Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.59
LL/37591
Unidentified photographer
Group of military personnel stationed in Fyzabad have dressed themself for a play.
1884
Albumen print
23,5 x 18 cm (ca)
Eastern Window (Jan van der Wal)
Courtesy of Jan van der Wal (in108-02)
LL/15007
Titled in pencil below the photograph "Theatricals - Fyzabad 1884".
Unidentified photographer
Survivors of the Greeley Arctic Exploring Expedition
1884
Cabinet card
Swann Galleries - New York
Courtesy of Swann Galleries (Auction, The Eric C. Caren Collection: How History Unfolds on Paper, Part 1, Sept 15, 2011, #2253, Lot 72)
LL/44192
Lot note provided by Swanns.
Lieutenant Adolphus Greeley of the United States Army Signal Corps and 23 men set off to explore the northern Canadian Arctic in 1881. The relief vessels planned for 1882 and 1883 were unable to reach the party. By the time a third effort found the party on Cape Sabine in June 1884, cannibalism was suspected, and only seven men survived, one of whom died on the voyage home. This photograph shows the survivors two months after their rescue. Greeley is front and center.
Unidentified photographer
Night-Blooming Cereus, Closed after Blooming
1884
Albumen print
20.3 x 14.6 cm (8 x 5 3/4 in)
American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment
LL/7631
http://www.luminous-lint.com/app/tags/6/1884/
Александра Римская 28.01.2015 г., 663 , Anno Domini. Xikrik to river Novogor
Список статей Сандры Римской
Сайт Армия Карусов
Группа ВК "История
Глоссарий